This project exists at the intersection of the music industry and contemporary art exploration tools, proposing an experience that transcends the traditional concert format to become a narrative device. De aquí para allá not only presents live music, but also articulates a field of sensitive inquiry where sound becomes archive, territory, and political gesture.
The curatorial process began with a mapping of the artist’s imaginary, a deep reading of her trajectory, and an analysis of the recurring elements that run through her practice. From this exercise emerged the lines of inquiry that structure her work: traditional Bolivian music as a living root, the exploration of identity from a contemporary perspective, Latin American memory as a shared territory, and art as a political tool for expression and resistance.
In this sense, Dani Deglein’s practice is not limited to the reinterpretation of the ancestral, but rather activates a dialogue between temporalities. The inherited and the present, the ritual and the performative, the intimate and the collective coexist within the same experience. Her work proposes a reinterpretation of traditions, not as static elements, but as languages in constant transformation.
The concert is therefore conceived as an ancestral experience through music, a gathering space that brings the community together through shared emotion. More than a performance, it is a journey into the memory of the mountains, into the deep resonances of the Andean territory, where sound acts as a vehicle for connection. Here, music is not only heard — it is inhabited.
At the same time, the project incorporates a clear social perspective. Deglein’s work intertwines celebration with politics, creating a space where the contrasts of life — festivity and tension, memory and the present, the individual and the collective — coexist organically. Rather than proposing a divisive stance, her work opens an accessible space for reflection where emotion functions as a bridge toward understanding. In this gesture, music becomes a tool for recognizing one another as equals, for generating conversation, and for sustaining complexity without fragmenting it.

Curator: Gustavo García Murrieta

Executive Producer: Esdena Bañuelo

TEAM:
Director of Photography: Marco Antonio Machaca Guachalla

Photography and Art Direction: André Manjón Escobar

Curatorship: Eduardo Cifuentes and Gustavo García Murrieta

Wardrobe: Migrante and Atardecer DWSK

Art Director: Daniela Henao

Movement Performers: Eduardo Cifuentes, Erick Watts Pil, Sabina Villagómez, Ivette Nuñesz, Gata Negra, and Alberto Mungia.

Visuals and Artistic Materials: Mirel Fraga, Alfonso Barrera, Rob Woodcox, Llorenz Sendra, André Manjón, and Gustavo García Murrieta. Artists represented by Banana Contemporary.